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In this YA novel published in 1990, six fourteen-year-olds face their inner dragons while they're in an accelerated academic program which includes a class on Beowulf.

I read this when it first came out, so when I saw a copy at a library book sale, I grabbed it to re-read. It largely holds up, though I'd completely forgotten the main plot and only recalled the theme and the subplot.

My recollection of the book was that the six teenagers are inspired by class discussions on Beowulf to face their personal fears. This is correct. I also recalled that one of the girls was a gymnast with an eating disorder and one of the boys was an athlete partially paralyzed in an accident, and those two bonded over their love of sports and current conflicted/damaging relationship to sports and their bodies, and ended up dating. This is also correct.

What I'd completely forgotten was the main plot, which was about the narrator, Eric, who idolized his best friend, Paul, and had an idealized crush on one of the girls in the class, who he was correctly convinced had a crush on Paul, and incorrectly convinced Paul was mutually attracted to. Paul, who is charming and outgoing, convinces Eric, who is shy, to do a speech class with him, where Eric surprisingly excels. The main plot is about the Eric/Paul relationship, how Eric's jealousy nearly wrecks it, and how the boys both end up facing their dragons and fixing their friendship.

Paul's dragon is that he's secretly gay. The speech teacher takes a dislike to him, promotes Eric to the debate team when Paul deserves it more (and tells Eric this in private), and finally tries to destroy Paul in front of the whole class by accusing him of being gay! Eric defends Paul, Paul confesses his secret to him, and the boys repair their friendship.

While a bit dated/historical, especially in terms of both boys knowing literally nothing about what being gay actually means in terms of living your life, it's a very nicely done novel with lots of good character sketches. The teachers are all real characters, as are the six kids - all of whom have their own journeys. The crush object, for instance, is a pretty rich girl who's been crammed into a narrow box of traditional femininity, and her journey is to destroy the idealized image that Eric is in love with and her parents have imposed on her - and part of Eric's journey is to accept the role of being her supportive friend who helps her do it.

I was surprised and pleased to discover that this and other Sweeney books are currently available as ebooks. I will check some out.

Finally, a book that lives up to its premise!

The Tainted Cup's plot is a murder mystery, complex but playing fair, in the tradition of Agatha Christie. Its main characters are Ana, a spectacularly eccentric reclusive genius, and Din, her young assistant who does the legwork, in the tradition of Nero Wolfe and Archie Goodwin or Sherlock Holmes and Watson.

...and the setting is a world that has been regularly ravaged by leviathans the size of mountains that emerge from the sea every "wet season" and rampage around, not only stomping everything in sight but also creating zones like Annihilation's Area X due to their magical, mutagenic bodies!

This has led to the Roman Empire continuing as it's the only force that can (barely) keep them in check, and also to it evolving a sophisticated scientific/magical biological technology which can perform many forensic, military, and technical functions including augmenting people and animals. So you have legionnaires augmented to be short-lived but massively strong and with extra bones that crunch when they move, called cracklers, using giant sloths called "slothics" to haul around artillery to shoot at kaiju!!!

I fucking love this sort of setting. All I want is to roll around in its weird biological decadence, ideally with guides in the form of interesting and/or likable characters. A good plot is just gravy. But! I love the characters AND the plot is excellent!

The opening scene is a masterclass in how to introduce a very unusual and complex setting by making your viewpoint character someone who 1) must navigate aspects of the setting that are new to them too, 2) has a compelling personal problem that's emotionally engaging, 3) and introduces a mystery to keep us hooked.

Din, the viewpoint character, is the new probationary assistant to the investigator, showing up alone to his very first murder scene. He immediately tangles with the guard on site, who is clearly richer and more experienced and correctly sizes him up as a newbie, and is also suspicious that the investigator herself isn't there. This neatly introduces us to the military and investigatory structure, and makes us wonder about Din's boss. As Din is introduced to a very wealthy household, we get to see the biological magitech of the world while also encountering the bizarre murder he's investigating. And while all this is going on, Din is trying to hide the fact that he's dyslexic, which he thinks could get him fired.

It's an instantly compelling opening.

Ana and Din are great characters, Din immediately likable, Ana immediately intriguing. The supporting cast is neatly sketched in. The plot is a very solid murder mystery, the setting is fantastic, and everything is perfectly integrated. The mystery could only unfold as it does in that setting, and the characters are all shaped by it. As a nice little bonus, there's also good disability rep in the context of a world where many people are augmented to boost them in some ways while also having major side effects. Good queer rep, too. And though a lot of the content was dark/horrifying, the overall reading experience was really fun.

I loved this book and instantly dove into the next one. I hope Bennett writes as many Ana & Din books as Christie wrote Poirots.

Spoilers! ( Read more... )

After a weird apocalypse called The Storm that seems to have killed most people on Earth, 17-year-old Liz lives alone in the bookshop where she used to work, occasionally trading books for useful items. But when the more hardbitten Maeve shows up, the two girls fall in love. But is the world about to end all over again?

This book sounded so up my alley. Alas, it was not good. In fact it was kind of the bad lesbian version of Erik J. Brown's All That's Left in the World.

Given the title, you'd think the story would involve books and reading and how they matter even after the apocalypse - a kind of bookstore version of Station Eleven. It's not that at all. A lot of books are mentioned in passing, but "books are important" is not a theme, and reading isn't important to the characters. Liz is living in the bookshop out of trauma and inertia, not because it's her passion or a community center or it feels like home.

Liz is so incredibly helpless and useless, it's hard to believe she survived normal life let alone a post-apocalypse setting. When the tap water stops running, she's unsurprised but also has only one day's worth left stored up in bottles - and it's been running for months, with her expecting it would stop running any moment the whole time! She doesn't bother to lock the front door of the bookshop, even when she goes to sleep. There's all sorts of dangerous damage to the shop that she doesn't know how to or doesn't bother to try to repair, AND doesn't ever ask for help with even though a fair number of friendly people come to her shop. I get that she's supposed to be paralyzed by trauma but she also comes off as a passive nitwit.

Even apart from Liz herself, a lot of stuff in the story makes no sense. Liz literally hasn't left the bookstore in months, she only gets a customer every couple days if that, and the customers only give her small items like a couple batteries for a book. How is she getting enough food to stay alive?

When Maeve turns on a small generator and it doesn't come on immediately, Liz leaves it switched on and tries to manually start it by sticking her hand inside it and giving the fan a spin. (Amazingly, she does not precede this by saying, "Hold my beer.") It promptly turns on and starts sucking her entire body into it, like it's a jet engine.

This gives Liz an extremely severe injury - the skin is ripped off her hand, bones and tendons are visible, and she can't move her fingers at all - but she's basically fine two days later after some extremely vaguely described first aid.

Liz realizes Maeve might be dangerous because she has a prized and valuable knife whose blade is caked with blood. If it's that valuable, YOU'D CLEAN IT.

People mostly use knives as weapons instead of guns for no reason. When someone does have a gun, it's not loaded. I guess guns and bullets are super rare in America!

The apocalypse is a one-time rain of acid that melts everyone who was outside at the time. No one ever mentions that this is fucking bizarre, or speculates on why it happened. The set-up in the pre-apocalypse flashbacks is that a climate change catastrophe is ongoing, but that does not include LITERAL ACID RAIN.

Also, the world is way too depopulated for a one-time event that happened at night, when not many people would be outside, and spared everyone who was inside. There's barely anyone left in Liz's entire town, and we meet something like ten survivors max in the entire book.

It also makes no sense that an acid strong enough to completely dissolve a human in 20 minutes did so little apparent damage to anything else. All the structural damage that's described is what you'd expect from a tornado, not a 20 minute downpour of extremely strong acid.

Liz and Maeve's relationship was boring and barely there. Actually, the whole book was boring. I ended up skimming heavily.

There's some interstitial bits where people write one-page first-person accounts of their survival in a notebook Liz keeps. This sort of thing is almost always so much fun, people recall it as their favorite part of the book. All but one of these bits are boring! How do you even do that?! (The one that I liked was a woman whose dogs saved her from the acid rain by refusing to go on their regular night time walk.)

Spoilers for the end. ( Read more... )